“Truth is stranger than fiction, but it is because Fiction is obliged to stick to possibilities; Truth isn’t.”
Mark Twain said that. He’s one of my favorite authors and personalities in the American canon. Did you also know he was one of the leaders of the anti-imperialism movement, and that he argued for giving the Philippines its freedom in the early twentieth century? Interested?
If you live in Manila, I hope you can come to the Ayala Museum on February 24th, from 2-5pm, to hear my talk “History Ever After.” What will I talk about? Good question. I will start with truth and weave in the fiction, and I think Mark Twain would be proud:
I will prove that our news is not new. In fact, America’s current debates over global economic integration, nation-building, immigration, and the use of military force echo the real and vigorous debate that started with the conquest of the Philippines.
I will show how this history helps me develop my unusual, precocious, and maybe even dangerous heroes and heroines. I will talk about each, too, including the main characters of my new novella, Tempting Hymn. Real history writes the best fiction in any genre.
Finally, I will address one of the most difficult questions in historical romance: how do you write happily ever after when your audience knows the next war is just around the corner? In other words, how do you walk the line between romancing history and romanticizing it?
Maybe you want to know about the shared history of Filipinos and Americans, or maybe you want to hear the latest updates in the Sugar Sun series. Or maybe you’re a writer, and you want to know how to shape conflict and character development with real history. If any of these three are true, there’s something for you here!
This talk would not have been possible without the guidance and vision of Mina V. Esguerra of #romanceclass, and thanks to Marjorie De Asis-Villaflores of the Ayala Museum for all her help.
It’s like déjà vu—from 120 years ago. In this last week before the 2016 election, let’s take a look back to 1896. This way, as you listen to sound bites about jobs, banks, industrialism, and trade in the next few days, you’ll know that we’ve been here before.
Back then we did not call economic downturns “recessions” or “depressions”; we called them “panics,” which has a refreshing honesty to it. The Panic of 1893 was a “war of wealth,” a pivotal event in a period known as the Gilded Age, a term coined by Mark Twain. Like today, the late nineteenth century was a time of growing divide between rich and poor—contrast the tenements of South Boston to the “cottages” of Newport. It was a global trend. Some economists have pointed out that we are in a new Gilded Age now, as modern wealth disparity approaches nineteenth-century levels.
And like now, the Panic of 1893 was tied up in the new interconnectedness of the American economy—only they were talking about railroads and the telegraph, not Uber and the Internet. But, as is the case today, people were not sure what this would mean for the “old economy.” In the 1890s agriculture suffered, much like industry has in the last thirty years.
Banks, if they were lucky enough to survive the 1893 Panic, foreclosed on farms in the South, Midwest, and West. Our recent mortgage-crisis-fueled recession was countered by the Federal Reserve lowering interest rates to essentially zero, which they did by flooding our system with money. “Expansionary monetary policy” is pretty standard fare in economic textbooks these days, but this theory did not exist in 1893. And, by the way, neither did the Federal Reserve. But that did not make money supply any less of an issue. In fact, it made it more of one. Coinage was the election issue of the day in 1896 and 1900. You voted for a president based upon what you wanted to happen to the money supply. It was such an important topic of conversation that it even found a place in children’s literature.
“Follow the yellow brick road!” In the original text version of The Wonderful Wizard of Oz, Dorothy’s slippers are silver. Silver eases Dorothy’s way along the “road of yellow bricks,” a metaphor for the gold standard. In other words, author L. Frank Baum showed that both precious metals, silver and gold, should be used for coinage in the United States, not just gold. This would expand the money supply, lower interest rates, and cause inflation—all policies that would help indebted farmers who were being crucified on a “cross of gold,” in the words of William Jennings Bryan, the Democratic candidate for president in both elections. Eastern industry opposed bimetallism because both owners and low-wage laborers stood to lose from inflation. This conflict—the rural heartland versus the East Coast elite—is a refrain you’ve heard before. In fact, the electoral maps of 1896 and 1900 predict the red-state-blue-state divide of today. In between then and now, the electoral maps bounced all around between Democrats and Republicans, but we have come full circle to the same structural change of the early 1900s.
Maybe the most important innovation Bryan brought to his candidacy, though, was his campaign itself. Bryan emerged out of the ashes of a Democratic Party he torched himself with populist and inflammatory rhetoric. He carried his message in person on a campaign tour through the Middle Atlantic and Midwestern states that lasted until two days before the election. Behaving in a way that most politicians and establishment figures considered “undignified,” Bryan went to the voters instead of waiting for them to come to his front porch—literally—and wait for a chance glimpse of him, which was Republican William McKinley’s strategy. (Some would say it was also Hillary Clinton’s strategy, given her comparatively restrained public speaking schedule in recent months).
By Bryan’s own account, he traveled nearly 18,000 miles and made nearly 600 speeches—about 20-30 a day, with Sundays off—and spoke to around 5,000,000 Americans, more than a third of the number who would cast a vote come November. Bryan wrote:
Friday was one of the long days. In order that the reader may know how much work can be crowded into one campaign day, I will mention the places at which speeches were made between breakfast and bedtime: Muskegon, Holland, Fennville, Bangor, Hartford, Watervliet, Benton Harbor, Niles, Dowagiac, Decatur, Lawrence, Kalamazoo, Battle Creek, Marshall, Albion, Jackson (two speeches), Leslie, Mason, and Lansing (six speeches); total for the day, 25. It was near midnight when the last one was finished.
Partly because of the silverite policy, which not all Democrats had supported, and partly because of this populist campaign style, a rival National Democratic Party (Gold Democrats) was founded, with its own nominating convention in Indianapolis. They put forward a former Union general and a former Confederate general on their ticket, but by the end of the campaign these men actually began to turn votes toward their Republican rival. At his last stop in Warrensbury, Missouri, presidential nominee John Palmer said: “I promise you, my fellow Democrats, I will not consider it any very great fault if you decide next Tuesday to cast your ballot for William McKinley.” (To some, this might feel like a certain third-party ticket of two former Republican governors—also from opposite sides of the country—who recently said that among the two-party candidates, they hoped people did not vote for Trump. Some saw this as a pseudo-endowment of Hillary Clinton, though the Libertarian Party quickly denied it.)
There is more that ties 1986 to 2016, including the similarities seen between William Jennings Bryan and Donald Trump. Bryan spoke in a rhetorical style that elitist politicians snubbed but some people loved. In March, Daniel Klinghard wrote:
…like Bryan, [Trump] does have a long history of drawing audiences in the private sphere, an ear for the common tongue and an ability to paint complex problems in blindingly simple terms. Like Bryan, Trump is happy to play to paranoid impulses and vague conspiracies….Like Trump, Bryan appealed to what he deemed to be common sense and warned his listeners that anyone preaching moderation only intended to keep the common man in the dark.
Buckle up, folks. It’s going to be a wild few days.
Featured images: Republican William McKinley (left, from his own campaign poster) and Democrat William Jennings Bryan (right, in a critical Judge magazine cover). Both images found at Wikimedia Commons.