The Balangiga incident/massacre/battle was a shocking twist in a war that seemed to be winding down. To many Americans and Filipinos, though, the conflict was just beginning…
Novelist Jennifer Hallock shares her research on Balangiga, and her experience teaching Philippines History in a US classroom. She explains how the surprise attack on US troops in Samar was the culmination of years of brutal warfare from 1898 to 1902. Local men disguised themselves covertly and snuck around town before striking Americans at breakfast. But while villagers may have repelled American soldiers temporarily, the aftermath of Balangiga would last for a very long time. On today’s episode we’re going to use events from a short battle to understand the effects of a much wider war…
I chatted with Joe Hawthorne about the attack at Balangiga in the Philippine-American War and how the American counteroffensive and the 1902 Senate hearings on “marked severities” predicted future outcries over My Lai and Fallujah. We redid parts of the interview, and because of the way it was edited, I introduce General Smith twice. His orders are shocking enough to revisit, though, so it works.
If you are attending the Romance Writers of America’s national conference in New York next week, come see me reprise my researching workshop. It incorporates all I have learned from a quarter-century of guiding high school history students through the research process:
True stories inspire the best fiction. Let history help you find the usual, precocious, and maybe even dangerous heroes and heroines you need! A veteran teacher and researcher will show you how to exploit free sources online: memoirs, newspapers, magazines, advertisements, maps, photographs, clothing, artifacts, videos, and more. This workshop’s emphasis will be on historical research, especially the Regency through the Roaring Twenties, but it will include practical tips and tricks for all authors.
I will also join Gilded Age romance superstars Maya Rodale and Joanna Shupe for Researching and Writing the GildedAgeRomance:
All that glitters isn’t gold, but the Gilded Age can make your manuscript shine! Join three experts who will share what to read/watch/listen to in order to start discovering the Gilded Age world. Take advantage of the Big Apple to explore historical New York City and brainstorm Gilded-Age romance novel plots after learning more about the history and how popular romance tropes fit in this historical time period.
Finally, on Saturday from 3-5, I will be signing and selling Sugar Moon and Under the Sugar Sun at the book fair to benefit literacy:
I just revised my Sugar Moon flashback scenes from Balangiga, a horrible incident that Ben Potter barely survived. While I was doing that, I went down a teensy-weensy research rabbit hole. Again.
I wanted to know what a typical morning looked like in the Army in 1901. That’s sort of tough because the Spanish-American War and Philippine-American War were not written about nearly as much as, for example, the Civil War or the Great War. But Google Books and the Rural New Yorker to the rescue! I found out from the (incompletely excerpted) article below that there was an awful lot of bugling:
If you have gone to summer camp, you know what reveille sounds like:
What about the others? The twenty-first century U.S. Army came to the rescue here. The day of a soldier has not changed much in 120 years, it seems.
Here is the tune to assemble for roll call:
After attendance is taken, soldiers were led through basic calisthenics. What did that look like in 1901? Thanks to the Manual of Physical Drill by the U.S. Army (1900), I know it went something like this:
The manual states to: “Never work the men to the point of exhaustion.” I think my active duty and veteran friends would laugh heartily at that one. And I think we all would find something to be desired in the instructions for how to dress for exercise:
Negligée? I have all sorts of images in my head there. All. Sorts. Especially in some of these drills…
And I do not think any of us are going to exchange our moisture-wicking nylon for flannel. Egad.
After the exercises were over, the mess call would be blown:
What happened after that? Well, you will have to wait for Sugar Moon to find out! (Or head on over to my Balangiga page for some serious spoilers. Hint: It doesn’t go well.)
Javier knows perfectly well that his piña fiber is uniquely delicate, transparent, well-ventilated, yet strong. This combination is why piña is the traditional choice for a man’s barong tagalog or a woman’s wedding dress or fancy blouse.
But fine piña is not cheap, with good reason. Every part of its production is time-consuming, starting with the 18 months it takes a pineapple plant to reach maturity. Starting at about a year of growth, the plant’s leaves can start to be cut and processed for their fibers. According to the Philippine Folklife Museum:
The green epidermal layer is scraped off the leaf with tools made from coconut shells, coconut husks or pottery shards. Extraction from the long, stiff leaves is time-consuming and labor-intensive. These fibers are then spun into soft, shimmering fabrics by hand. Because the fiber is fine and breaks easily, working with it is slow and tedious. Workers are constantly knotting broken threads.
That is not the end of the process, either. It takes weeks more to prepare the yarn and then weave it together into patterns like flowers, fruits, coconut trees, and nipa huts—whatever the artist wants. According to the Folklife Museum, it can take eight hours to finish one meter of plain cloth or just half a meter of patterned cloth.
All to make ladies look gorgeous and men look handsome? Yeah, it’s worth it.
[Featured public domain image of an early 19th-century piña scarf was a gift of Miss Mary Cheney Platt to the Met.]