Welcome to the Sugar Sun Series!

The Sugar Sun series is an epic family saga of love and war at the beginning of the twentieth century. Books are listed below in publication order, but the series does not need to be read in order. All are interconnected-yet-standalone happily-ever-afters. Read what people are saying about the series.


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A schoolmarm, a sugar baron, and a soldier . . .

It is 1902 and Georgina Potter has followed her fiancé to the Philippines, the most remote outpost of America’s fledgling empire. But Georgina has a purpose in mind beyond marriage: her real mission is to find her brother Ben, who has disappeared into the abyss of the Philippine-American War.

To navigate the Islands’ troubled waters, Georgina enlists the aid of local sugar baron Javier Altarejos. But nothing is as it seems, and the price of Javier’s help may be more than Georgina can bear.

Find Under the Sugar Sun at Amazon.com, or read what people are saying about the series.


Tempting-Hymn-novella-Sugar-Sun-series

A Missionary and a Sinner . . .

Jonas Vanderburg volunteered his family for mission work in the Philippines, only to lose his wife and daughters in the 1902 cholera epidemic. He wishes his nurse would let him die, too.

Rosa Ramos wants nothing more to do with American men. Her previous Yankee lover left her with a ruined reputation and a child to raise alone. A talented nurse at a provincial hospital, she must now care for another American, this time a missionary whose friends believe her beyond redemption.

Find Tempting Hymn at Amazon.com, or read what people are saying about the series.


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The nights were their secret . . .

The papers back home call Ben Potter a hero of the Philippine-American War, but he knows the truth. When his estranged brother-in-law offers him work slashing sugarcane, Ben seizes the opportunity to atone—one acre at a time. At the hacienda Ben meets schoolteacher Allegra Alazas. While Allegra bristles at her family’s traditional expectations, the one man who appreciates her intelligence and independence seems to be the very worst marriage prospect on the island.

Neither Ben nor Allegra fit easily in their separate worlds, so together they must build one of their own. But when Ben’s wartime past crashes down upon them, it threatens to break their elusive peace.

Find Sugar Moon at Amazon.com, or read what people are saying about the series.


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This is Andres’s book (aka #UndressAndres) and you can read about my progress in researching his world here. There is a lot of medical history I have learned for the heroine, a doctor. That research has been partly through reading but primarily through podcasts.

Looking for Hotel OrienteDon’t worry, it will be back soon!

An Election, You Say? The Most Relevant Precedent May Be 120 Years Old

It’s like déjà vu—from 120 years ago. In this last week before the 2016 election, let’s take a look back to 1896. This way, as you listen to sound bites about jobs, banks, industrialism, and trade in the next few days, you’ll know that we’ve been here before.

An 1896 melodrama based upon the Panic of 1893.
An 1896 melodrama based upon the Panic of 1893.

Back then we did not call economic downturns “recessions” or “depressions”; we called them “panics,” which has a refreshing honesty to it. The Panic of 1893 was a “war of wealth,” a pivotal event in a period known as the Gilded Age, a term coined by Mark Twain. Like today, the late nineteenth century was a time of growing divide between rich and poor—contrast the tenements of South Boston to the “cottages” of Newport. It was a global trend. Some economists have pointed out that we are in a new Gilded Age now, as modern wealth disparity approaches nineteenth-century levels.

How railways tied the American economy together in 1898. Courtesy of Library of Congress.

And like now, the Panic of 1893 was tied up in the new interconnectedness of the American economy—only they were talking about railroads and the telegraph, not Uber and the Internet. But, as is the case today, people were not sure what this would mean for the “old economy.” In the 1890s agriculture suffered, much like industry has in the last thirty years.

A comparison of 1893 and 1983 structural change, with farms dying to pave the way for industrialism in 1890s [The Worthington Advance], and then those same factories dying in the 1980s [Ben Wojdyla].
A comparison of 1893 and 1983 structural change, with farms dying to pave the way for industrialism in 1890s The Worthington Advance, and then those same factories dying in the 1980s Ben Wojdyla.

Banks, if they were lucky enough to survive the 1893 Panic, foreclosed on farms in the South, Midwest, and West. Our recent mortgage-crisis-fueled recession was countered by the Federal Reserve lowering interest rates to essentially zero, which they did by flooding our system with money. “Expansionary monetary policy” is pretty standard fare in economic textbooks these days, but this theory did not exist in 1893. And, by the way, neither did the Federal Reserve. But that did not make money supply any less of an issue. In fact, it made it more of one. Coinage was the election issue of the day in 1896 and 1900. You voted for a president based upon what you wanted to happen to the money supply. It was such an important topic of conversation that it even found a place in children’s literature.

1900 poster advertising L. Frank Baum's Wonderful Wizard of Oz, courtesy of [Wikimedia Commons].
1900 poster advertising L. Frank Baum’s Wonderful Wizard of Oz, courtesy of Wikimedia Commons.

“Follow the yellow brick road!” In the original text version of The Wonderful Wizard of Oz, Dorothy’s slippers are silver. Silver eases Dorothy’s way along the “road of yellow bricks,” a metaphor for the gold standard. In other words, author L. Frank Baum showed that both precious metals, silver and gold, should be used for coinage in the United States, not just gold. This would expand the money supply, lower interest rates, and cause inflation—all policies that would help indebted farmers who were being crucified on a “cross of gold,” in the words of William Jennings Bryan, the Democratic candidate for president in both elections. Eastern industry opposed bimetallism because both owners and low-wage laborers stood to lose from inflation. This conflict—the rural heartland versus the East Coast elite—is a refrain you’ve heard before. In fact, the electoral maps of 1896 and 1900 predict the red-state-blue-state divide of today. In between then and now, the electoral maps bounced all around between Democrats and Republicans, but we have come full circle to the same structural change of the early 1900s.

At bottom, a comparison of electoral maps from 1896 [Wikimedia Commons] and 2000-2012 [Wikipedia]. At top, the campaign trail of William Jennings Bryan [The First Battle].
At bottom, a comparison of electoral maps from 1896 Wikimedia Commons and 2000-2012 Wikipedia. At top, the campaign trail of William Jennings Bryan The First Battle.

Maybe the most important innovation Bryan brought to his candidacy, though, was his campaign itself. Bryan emerged out of the ashes of a Democratic Party he torched himself with populist and inflammatory rhetoric. He carried his message in person on a campaign tour through the Middle Atlantic and Midwestern states that lasted until two days before the election. Behaving in a way that most politicians and establishment figures considered “undignified,” Bryan went to the voters instead of waiting for them to come to his front porch—literally—and wait for a chance glimpse of him, which was Republican William McKinley’s strategy. (Some would say it was also Hillary Clinton’s strategy, given her comparatively restrained public speaking schedule in recent months).

On left, Bryan speaks to a crowd in Wellsville, Ohio, courtesy of his own memoir [The First Battle]. On right, McKinley on his front porch only 50 miles away in Canton, Ohio [Remarkable Ohio].
On left, Bryan speaks to a crowd in Wellsville, Ohio, courtesy of his own memoir The First Battle. On right, McKinley on his front porch only 50 miles away in Canton, Ohio Remarkable Ohio.

By Bryan’s own account, he traveled nearly 18,000 miles and made nearly 600 speeches—about 20-30 a day, with Sundays off—and spoke to around 5,000,000 Americans, more than a third of the number who would cast a vote come November. Bryan wrote:

Friday was one of the long days. In order that the reader may know how much work can be crowded into one campaign day, I will mention the places at which speeches were made between breakfast and bedtime: Muskegon, Holland, Fennville, Bangor, Hartford, Watervliet, Benton Harbor, Niles, Dowagiac, Decatur, Lawrence, Kalamazoo, Battle Creek, Marshall, Albion, Jackson (two speeches), Leslie, Mason, and Lansing (six speeches); total for the day, 25. It was near midnight when the last one was finished.

Partly because of the silverite policy, which not all Democrats had supported, and partly because of this populist campaign style, a rival National Democratic Party (Gold Democrats) was founded, with its own nominating convention in Indianapolis. They put forward a former Union general and a former Confederate general on their ticket, but by the end of the campaign these men actually began to turn votes toward their Republican rival. At his last stop in Warrensbury, Missouri, presidential nominee John Palmer said: “I promise you, my fellow Democrats, I will not consider it any very great fault if you decide next Tuesday to cast your ballot for William McKinley.” (To some, this might feel like a certain third-party ticket of two former Republican governors—also from opposite sides of the country—who recently said that among the two-party candidates, they hoped people did not vote for Trump. Some saw this as a pseudo-endowment of Hillary Clinton, though the Libertarian Party quickly denied it.)

An 1896 Judge cartoon shows William Jennings Bryan and his Populism as a snake swallowing up the mule representing his own Democratic party. Courtesy of [Wikimedia Commons].
An 1896 Judge cartoon shows William Jennings Bryan and his Populism as a snake swallowing up the mule representing his own Democratic party. Courtesy of Wikimedia Commons.

There is more that ties 1986 to 2016, including the similarities seen between William Jennings Bryan and Donald Trump. Bryan spoke in a rhetorical style that elitist politicians snubbed but some people loved. In March, Daniel Klinghard wrote:

…like Bryan, [Trump] does have a long history of drawing audiences in the private sphere, an ear for the common tongue and an ability to paint complex problems in blindingly simple terms. Like Bryan, Trump is happy to play to paranoid impulses and vague conspiracies….Like Trump, Bryan appealed to what he deemed to be common sense and warned his listeners that anyone preaching moderation only intended to keep the common man in the dark.

Buckle up, folks. It’s going to be a wild few days.

Featured images: Republican William McKinley (left, from his own campaign poster) and Democrat William Jennings Bryan (right, in a critical Judge magazine cover). Both images found at Wikimedia Commons.