Ben Potter is not your typical hero. I don’t say this because of his checkered past, which he has. No, I mean his unusual talent for a male lead in a historical romance: Ben sews.
Ben is the grandson of a self-made tailor and the son of an industrious seamstress. He grew up working in his family’s shop. He was supposed to inherit it—before the Spanish-American War broke out, that is. (Before Ben, like so many other young men, were persuaded by the sensationalist press to “liberate” the Cuban people from Spanish tyranny. That’s not how it turned out, by the way.)
Ben has opinions about the fit of suits. He sizes a man up by his “well-molded shoulders” and “perfect trouser break.” He is the one who visits the tailor several times to make his suit fit. “Even so, the collar did not feel right,” he thinks to himself, and after that he makes his own work shirts. Fashioning a doll for his niece is no sweat, and a sewing machine makes dresses for the doll even easier and faster.
Could there really be a Singer on a hacienda in Bais? Yes! The Singer Sewing Machine company had actually been selling their products in the Philippines since 1882, predating the American colonial period. According to Pinoy Kollektor, over a quarter-million units were sold by 300 Singer outlets in the Philippines by 1912, adding 1500 jobs to the economy.
The Singer showroom on the Escolta was one of the most photographed landmarks on the street, probably because the Americans who saw it assumed it arrived with Dewey’s navy. (Of course they did.)
Ironically, one of the reasons that Americans desired an empire was to sell their goods in Asia—particularly in China, but in the Philippines too. Did they need military conquest to do so? No. As Private First Class Reginald “Malik” Edwards, a Vietnam vet, said of that subsequent war, “Sometimes I think we would have done a lot better to by getting [the Vietnamese] hooked on our life-style than by trying to do it with guns….Blue jeans works better than bombs.” In this case, Singer sewing machines would have worked better than Colts and Krags. Ben certainly would have preferred them.
Final note: for more beautiful, historic Singer photographs, check out the website of Pinoy Kollektor.
Resistance romance has gone global. It makes sense: idealists everywhere are being squashed under the steamroller of corporate and government interests. Women suffer silently in “toxic workplaces that reward mediocre men,” to quote Naya Llamas, the heroine of What Kind of Day. These women need their HEA, too.
Take note, though: there will be no alpha billionaire to save the damsel in distress here. The “damsel” in question, Naya, is not in distress. In outrage? In frustration? Those are closer to the mark. Naya would tell Mr. Billionaire to fuck right off, thank you very much. In fact, her “rage-quit” speech to her former boss (which sherecycles on a sitting Philippine senator!) would send a lesser man spiraling into his own mid-life crisis. Naya needs a fellow idealist hero with a hot bod and a quick mind. Enter Ben Chaco, Esquire: a former speechwriter for the aforementioned senator. Ben is in a mid-career crisis somewhat of his own making, but mostly not. And he has hot abs.
Naya has an “income-generating hobby” running boutique culture tours under the name of See This Manila. Naya’s video background has helped her carve out a presence online, and her customers pay a premium to be shown her favorite exhibits, the best sunsets, and the most unlikely ice skating shows. When stuck in Manila’s notorious traffic—which, yes, is really that bad—she dispenses “mentory” advice to her younger admirers (and to Ben, who has literally jumped into her van).
I loved the tour guide (and trip fling) theme of the book, and you do not even have to know Manila to appreciate the places she takes her customers. And, if you do know Manila, the book forces you to reconsider your view on the city.
Remember that Manila was once the “Pearl of the Orient,” and what has happened to it since is not entirely its fault. You knew there would be a historical aside to this review, didn’t you? Well, this is my blog, and I am a historian so deal with it. The Americans bombed the city to bits in 1945—the necessity of which is still debated—and they did not stick around long enough to rebuild it. Instead, they gave the Philippines its independence in 1946, on schedule, and left.
Mismanagement since 1946 is a long and political story, and this part of Naya’s struggle. She rage-quits her job in official tourism because she wants to show the real Manila to foreign heads-of-state:
“So I quit because I was deployed to do touristy videos during one of the summits. And I wanted to be assigned to Manila, because I thought it would be a good chance to show the inequality, what life is really like even on the days when they don’t hide the shit from delegates traveling from the airport to wherever. I thought if I did it with some compassion, and with help from the communities themselves, I’d be able to create something and the summit would be the right platform for it. Because that’s what it’s for, right?”
“Oh, God,” Ben said, realizing where this was going. “You had a dream, too.”
Yep, What Kind of Day is the story of two dreamers. It is quintessential Mina V. Esguerra—and yet it is also enough of a departure to justify a new series. Let’s start with the latter. According to the author’s website, Ms. Esguerra did not wish to redeem the anti-hero anymore. (But she does it so well! Love Your Frenemies is one of my absolute favorites of the Chic Manila series.) True to the author’s intentions, Naya and Ben are both uncompromisingly honest, good people throughout the book—and what a relief!
Of course, this is also exactly what makes the book fit into the MVE opus so well. Ms. Esguerra takes two people who have been burned—and burned by a similarly cruel aspect of the world—and helps them find each other. To me, this has the same feel as Iris After the Incident, which you probably know I loved. (Also, Iris is going to be released as an audiobook sometime in the near future. Yay!)
Okay, Jen, but what about the sex? The sex is also classically MVE: hot, memorable, and perfectly suited to the characters. It is a little odd to say “classically MVE” since Ms. Esguerra began by writing closed-door romance, but her recent books have all had very sensual, very imaginative love scenes. Naya and Ben’s first time could be a workshop in making consent and sex-positivity zing—which, frankly, I think is just the point in a book that is about fighting the Old Boys Network. It is perfect.
Finally, as with all the #romanceclass books I have read, What Kind of Day is a smart, fast-paced, beautifully-crafted novel. This book is both on brand and a trend-setter at the same time. I would recommend it to romance readers (M/F dual-POV with strong HFN), women’s fiction readers (strong growth arc in take-charge heroine), and general fiction readers (because, honestly, it’s just a freaking good book, no matter what you like to read). Enjoy!
Do you ever make imaginary friends with a character from a book? I do all the time. These are often characters I have made up in my own mind—and yet I still need to get to get acquainted with them from scratch like they’re strangers. If I have done my job right, by the time the book is ready to print, the hero and heroine are my family. I love them.
Sometimes a character does not wait for her own book. She steals the show from the first moment she is introduced. Such a character is Allegra Alazas, the fiercely loyal cousin of Javier Altarejos, and the woman who plays his matchmaker in Under the Sugar Sun.
Sugar Sun’s heroine Georgina Potter first meets Allegra in a store on the Escolta, in Manila. As she tells it:
Señorita Allegra was perfectly happy to keep the conversation going all on her own, just as she had done for the past half hour. They had met by chance at a dry goods store, and Georgie had not been able to shake the woman since. Allegra could not believe that any American would walk the Escolta without shopping, so Georgie now found herself unfolding a delicate slip of lace, pretending to consider it despite its prohibitive price. Even though Georgie was supposed to be getting married soon, she did not feel sentimental enough about the occasion to plunge into debt over it. This treasure was not for her.
Allegra kept talking. “I have to sew my flowers on dresses now, though Hermana Teresa will jump off the Puente de España before she believes it. Yesterday she says I will fail domestic labors class. Fail! So I say it is okay—one day I will hire her as my costurera. Do you hear nuns curse before? Very quiet, but they do.”
No doubt nuns cursed around this young woman a lot, Georgie thought. Allegra looked demure but was really quite untamed. Black, roguish eyes set off her fair, delicate skin. Her pink lips were small but curvy, as exaggerated as the outlandish words that came from them.
She sounds like fun, doesn’t she? Allegra—or Allie, as she will soon be known—was inspired by the lantern slide photo above. True story. It was the look on this woman’s face that won me over. I thought her story had to be written.
If I had to cast a movie version of Sugar Moon (and I am open to offers), I would love to see Maine Mendoza in the role:
You see the resemblance, don’t you? It is all about the attitude.
[Edited to add: Allegra is not based on any single person—she has always had a voice of her own, right from the beginning—but she would be honored by any resemblance shown to the brilliant Regina Abuyuan. Gina was a writer, editor, school founder, teacher, pub owner, mother, wife, advocate, and friend. We love and miss you, Gina.]
Well, I’d better get back to it, or else you will never get to read Allie’s story. I had to do a massive rewrite this past winter, and I’m about 40% through the Big Edit now. There are some complicating factors that make this book tough. The history is real, and I do not want to skim over that fact. (As author Elizabeth Kingston pointed out recently, colonialism needs to be critically examined, even in romance. Actually, especially in romance. I have tried to do this, and I will keep trying—which to me means not ignoring the difficult stuff.) Also, Ben Potter has to be carefully transformed into hero material; he was not likable in the previous book. But he will be, I promise. Barring major problems, I am gunning for a September release. Fingers crossed.
Baseball arrived in the Philippines with Commodore George Dewey in May 1898. After sinking the Spanish fleet in Manila Bay and taking over Cavite Naval Base, the Olympia‘s team, the Diamond Diggers, played the first Army-Navy game on Philippine soil. I could not find out who won.
Though basketball proved a more popular sport amongst Filipinos in the long term, baseball is a fitting metaphor for the entire American occupation.
American justifications for imperialism were racist right out of the gate. The Yanks claimed to be “benevolently assimilating” the Filipinos, and assimilation included sport. General Franklin Bell (of reconcentrado fame) claimed that “baseball had done more to civilize Filipinos than anything else,” and the Manila Times called it a “regenerating influence, or power for good” (quoted in Gems 112).
Colonial racism was not limited to Filipinos, either. The Americans mistreated their own, including the 24th and 25th Infantries, both African American regiments. Jim Crow America came to Manila, including all-white barber shops and all-white baseball leagues. The 25th—who played for “Money, marbles, or chalk, money preferred”—got a small bit of revenge by winning the island championships for four years in a row.
Baseball was a part of the Thomasite educational program from the beginning. The teachers hoped that it would replace cockfighting, though that goal ultimately proved too ambitious. Still, baseball did catch on. One Thomasite reported: “We first got hold of the Jolo boys through baseball” (quoted in Elias 44). Because English was the language of the diamond, it was seen as a way to advance a holistic curriculum. According to public health commissioner, Victor Heiser:
…a group of yelling Igorots (mountain tribespeople) had been seen playing baseball in a remote clearing. The catcher wore only a G-string and mask, and the runner on first started for second amid cries of: “Slide, you son of a bitch, slide!”
This was all military policy, when you get down to it. Remember that public schools were started because “no measure would so quickly promote the pacification of the islands,” according to the colonial government’s 1903 Census. In other words, Americans wanted to rule with books, not Krags. This is called civic action—or, as it was known in the Philippines, attraction. (And it is better than drones, but if those are your two choices please re-examine all your assumptions.) Baseball was a “weapon” in the search for peace. The Los Angeles Times claimed that “The American athletes will teach them that the bat is more powerful than the bolo” (quoted in Franks 17).
Baseball may have provided a romantic substitution as well. The indigenous tradition of the Cordillera mountaineers (often called Igorots) suggested that a prospective groom could impress his bride’s family with a “scalp of their bitterest enemy,” according to American sportswriter Ernie Harwell. Conveniently, baseball provided an alternative: home runs: “Americans, acting as muscle-bound cupids, often played simple grounders and easy outs into home runs so their Filipino friends could escape bachelorhood” (quoted in Elias 45). (In Sugar Moon, Ben Potter needs eight runs in a pick-up baseball game to earn Allegra’s hand, but no one takes it easy on him.)
Though Allegra was not much of a player herself, girls could and did play the game. This followed the Thomasite emphasis on coeducation, maybe the best thing the Americans brought to the Philippines. Both boys and girls still play to great success in the Philippines. Youth league world championships often feature Filipino teams as the representative champions of Asia, and sometimes they win the whole darned thing: