It was Kat’s “fault” that I ended up in Sydney. (Oh my, a “work trip” to a beautiful harbor city on the other side of the world, what a hardship!) While I was there, we were able to record a podcast chatting about historical romance, my Sugar Sun series, #UndressAndres, and more. Click on the image below to listen online, or stream Book Thingo on your favorite podcast service.
If you would like to read my paper on “History Ever After: Fabricated Historical Chronotopes in Romance Genre Fiction” click on the following image. This page is where I talk about how and why Regency romance is deliberately artificial world—and why this is not necessarily a bad thing. But it can become a bad thing when perceived accuracy is used as a weapon against authors of historical romance outside this chronotope, particularly against authors of diverse books.
The book we talk the most about on the podcast is Under the Sugar Sun. I followed the Regency model in creating my own chronotope of 20th century Philippines in which real political, social, and economic strife exists, but there is still room for a cross-cultural happily ever after. Hacienda Altarejos exists in a world of magical realism; the real world is just outside. By the way, if you own this ebook, please follow these instructions to update your version:
An hour later they safely stumbled into a cluster of chromatic light. Georgie wondered if she had fallen under some kind of enchantment….Surrounding the church were hundreds of colorful star-shaped lanterns hanging off white-blossomed frangipani trees. Georgie stood frozen in place, overwhelmed by the feeling that she had entered a secret village of wood sprites.
Want to know a secret? This passage is wrong. Sort of. Maybe.
One thing is right. Those “colorful star-shaped lanterns” are the ubiquitous symbol of Christmas in the Philippines: parols. They are everywhere: on houses, in malls, along highways, and—their original purpose—lighting the path to church. The original star design was reminiscent of the Nativity story:
After they had heard the king, they went on their way, and the star they had seen in the east went ahead of them until it stopped over the place where the child was. When they saw the star, they were overjoyed. (Matthew 2:9-10)
I am still overjoyed when I see a parol. In fact, so much so that I brought one back with me, and it may be the only one of its kind in rural New Hampshire. And, okay, that’s fine—we live in a globalized world these days—but would Hacienda Altarejos really have had a parol or two in 1902? Eh, close enough. The parol—from the Spanish farol for lantern—did originate in Spanish times, so that’s good for my timing. It even seems that the Mexican piñata got jumbled in the origin story somewhere, accounting for the bright colors of crepe paper or papel de Japon (Japanese rice paper). But I think they looked a lot different, more like the regular lanterns they were named after.
It was not until 1908—when a salt vendor in Pampanga named Francisco Estanislao slapped together some bamboo strips in festive shapes—that the tradition we know today was born. And, if Estanislao did not invent this “real” parol until 1908, and he was all the way up in Luzon, wouldn’t it have taken a few years for the tradition to spread to the island of Negros, where my story takes place? Okay, so I was a little off. But no one has called my bluff—yet. I think this is because to anyone in the islands, the Christmas season requires parols. I would have gotten flack if I had forgotten them!
Parols today do light the way to mass…and the way to Starbuck’s, too. Whatever gods ye worship, people! Back in the Edwardian era, the main light sources were candles or coconut oil lamps. These days there are at least three hundred tiny light bulbs in just a small parol. This is why mine had to be refitted for 110v before we shipped it back. (Thank you to Edith Rocha Tan for help on that!) Now, those three hundred lights give unsuspecting New England drivers fits as they drive by at night. Sweet.
Fortunately, the art—and it is an art—of parol-making is still being passed down the Estanislao-David-Quiwa family:
When we were kids, my brothers and I would play with our toy trucks and attach our own parol drawings on cardboard, simulating the position the way the real arrangements of actual giant lantern festival entries were supposed to be during competitions. We simulated a mini-competition in our home and let our tatang [father] judge who among the siblings had the best design.
The giant lantern competition Arvin Quiwa was emulating is Ligligan Parul in San Fernando, Pampanga, which takes place the week before Christmas. And there are similar competitions and displays all around the greater Pinoy diaspora. I’m telling you: it’s not Pasko without a parol, no matter where you are. Maligayang Pasko! (Or Malipayong Pasko! in Cebuano.)
I will be reading from the Christmas chapter—excerpted above—at the Weare Public Library on December 19th at 7pm. If you are in the neighborhood, I hope to see you there!