And thank you to all those reading and talking about Ben and Allegra:
And thank you to all those reading and talking about Ben and Allegra:
The papers back home call Ben Potter a hero of the Philippine-American War, but he knows the truth. When his estranged brother-in-law offers him work slashing sugarcane, Ben seizes the opportunity to atone—one acre at a time. At the hacienda Ben meets schoolteacher Allegra Alazas. While Allegra bristles at her family’s traditional expectations, the one man who appreciates her intelligence and independence seems to be the very worst marriage prospect on the island.
Neither Ben nor Allegra fit easily in their separate worlds, so together they must build one of their own. But when Ben’s wartime past crashes down upon them, it threatens to break their elusive peace.
Ben Potter is not your typical hero. I don’t say this because of his checkered past, which he has. No, I mean his unusual talent for a male lead in a historical romance: Ben sews.
Ben is the grandson of a self-made tailor and the son of an industrious seamstress. He grew up working in his family’s shop. He was supposed to inherit it—before the Spanish-American War broke out, that is. (Before Ben, like so many other young men, were persuaded by the sensationalist press to “liberate” the Cuban people from Spanish tyranny. That’s not how it turned out, by the way.)
Ben has opinions about the fit of suits. He sizes a man up by his “well-molded shoulders” and “perfect trouser break.” He is the one who visits the tailor several times to make his suit fit. “Even so, the collar did not feel right,” he thinks to himself, and after that he makes his own work shirts. Fashioning a doll for his niece is no sweat, and a sewing machine makes dresses for the doll even easier and faster.
Could there really be a Singer on a hacienda in Bais? Yes! The Singer Sewing Machine company had actually been selling their products in the Philippines since 1882, predating the American colonial period. According to Pinoy Kollektor, over a quarter-million units were sold by 300 Singer outlets in the Philippines by 1912, adding 1500 jobs to the economy.
The Singer showroom on the Escolta was one of the most photographed landmarks on the street, probably because the Americans who saw it assumed it arrived with Dewey’s navy. (Of course they did.)
Ironically, one of the reasons that Americans desired an empire was to sell their goods in Asia—particularly in China, but in the Philippines too. Did they need military conquest to do so? No. As Private First Class Reginald “Malik” Edwards, a Vietnam vet, said of that subsequent war, “Sometimes I think we would have done a lot better to by getting [the Vietnamese] hooked on our life-style than by trying to do it with guns….Blue jeans works better than bombs.” In this case, Singer sewing machines would have worked better than Colts and Krags. Ben certainly would have preferred them.
Final note: for more beautiful, historic Singer photographs, check out the website of Pinoy Kollektor.
I began writing Sugar Moon in 2013. I began writing this blog in 2016. In both cases, that’s a long time ago. It includes years of writing about the Philippine-American War, and in particular the Balangiga incident—a central event shaping the character of my redemption-seeking-hero Ben Potter.
Let’s say you know nothing about what happened in Balangiga—or even nothing about the Philippine-American War. Don’t worry, you won’t need to in order to read Sugar Moon. But let’s say you’re a history geek like me? Well, I’ve written a lot of content just for you!
I have tried to organize this by the most logical questions. Read the captions, and if you want to know more just click on the link below the image. Geek out!
And you can find out more about Allegra, her home, her family, and her background by reading through these annotated glossary posts:
Not good enough for you? All I can say is that I’m working on it. Today wasn’t super productive—hence this page because blogs are great for procrastination. Don’t think I’m doing nothing, though. I’m mulling over a problem in my head, and these things can’t be rushed. And believe me, I’m more anxious about getting this book into the world than you are.
Thanks for reading!
No, this is not a joke. We just sent the printed copy of Sugar Moon to press for proof copies. This is getting real. Stay tuned.
You might think mixing romance and history would be a highly-marketable combination, but there are a few landmines. Fans of historical fiction (who often know little about romance) want you to take out the happily-ever-after to make your book more “realistic” and “serious.” Fortunately for me, Olivia Waite came along and explained the problem with taking away my heroines’ HEAs:
Jeannie Lin added that the Asian women in her family have suffered through “regime change, through executions, through so many personal tragedies—and still found a way to find happiness. That story is just as real.” As I’ve heard Beverly Jenkins say several times at conferences: even in the toughest of times, people still have picnics, birthday parties, and fall in love.
Of course, some of the worst bits are history are not going to make it to the page in a romance. (Hello, syphilis? Around ten percent of the general American population had the disease by 1900, and I choose to entirely ignore that fact.) I have written and discussed in interviews why I chose to set my books in the Philippine-American War. (They are not the typical Regency duke books, for sure.) I used my own scholarship on American colonial rule in the Philippines to fabricate my own fictional chronotope: I choose when to be constrained by real history and when to hold onto a more modern sensibility.
Writers have been fabricating chronotopes in historical fiction for centuries. Antony and Cleopatra—while not a romance—is proof that Shakespeare made this same choice. The play is based partly off the history he had at his disposal, Plutarch’s Lives, but he also added scenes and changed historical facts to suit the story. Some scholars even say that Shakespeare was really writing a political commentary of his times, using Elizabeth I as his model for Cleopatra. While Shakespeare is the platinum standard of literature now, keep in mind that he wrote popular fiction back then. He was a storyteller.
That’s what romance is: good story-telling that makes you feel. Tess Sharpe came up with a pretty exhaustive list of what I mean by this:
But let’s not ignore sexual chemistry. One of the reasons that romance makes a person feel so intensely—and that is a big part of its appeal—is that the reader is so heavily invested in the two main characters and their relationship. How does that happen? How does the reader become so intimately involved? By being present at the most intimate of scenes, when the armor of clothing is shed and the characters become figuratively and literally naked. The sex scenes advance the plot because they are about navigating the relationship in its most raw state.
Now, I will end with an apology. Clearly, it is now 2019, which means this brag did not pan out:
My blend of “history ever after” has been a particular challenge in this book, and so revisions have needed revisions. I feel confident it will be out by spring 2019. Stay tuned!