Read the series that Courtney Milan called “meaty historical romance . . . must-reads.” And “Like nothing I’ve ever read before.”
*All books are standalone HEAs (happily-ever-afters) and do not have to be read in order.
The Oriente is the finest hotel in Manila… but that’s not saying much.
Hotel manager Moss North already has his hands full trying to make the Oriente a respectable establishment amidst food shortages, plumbing disasters, and indiscreet guests. So when two VIPs arrive—an American congressman and his granddaughter Della—Moss knows that he needs to pull out all the stops to make their stay a success.
That won’t be easy: the Oriente is a meeting place for all manner of carpetbaggers hoping to profit off the fledgling American colony—and not all of these opportunists’ schemes are strictly on the up-and-up. Moss can manage the demanding congressman, but he will have to keep a close eye on Della—she is a little too nosy about the goings-on of the hotel and its guests. And there is also something very different about her…
It is 1902 and Georgina Potter has followed her fiancé to the Philippines, the most remote outpost of America’s fledgling empire. But Georgina has a purpose in mind beyond marriage: her real mission is to find her brother Ben, who has disappeared into the abyss of the Philippine-American War.
To navigate the Islands’ troubled waters, Georgina enlists the aid of local sugar baron Javier Altarejos. But nothing is as it seems, and the price of Javier’s help may be more than Georgina can bear.
Jonas Vanderburg volunteered his family for mission work in the Philippines, only to lose his wife and daughters in the 1902 cholera epidemic. He wishes his nurse would let him die, too.
Rosa Ramos wants nothing more to do with American men. Her previous Yankee lover left her with a ruined reputation and a child to raise alone. A talented nurse at a provincial hospital, she must now care for another American, this time a missionary whose friends believe her beyond redemption.
I spent the last two weeks of February on an amazing trip to the Philippines. Packing everyone I wanted to see into 14 days—plus romance events!—was a little insane, but I made the most of every minute.
I started the business end of things with an appearance at the Philippine Romance Convention 2017, hosted by the Romance Writers of the Philippines at Alabang Town Center—a mall that happens to be my old stomping grounds. I was honored to sit on the Steamy Romance Panel with Mina V. Esguerra, Georgette S. Gonzales, and Bianca Mori. These are three outstanding authors. Mina’s Iris After the Incident is such an important, sex-positive, feminist contemporary romance that I wrote a whole blog post about it. Georgette writes intense romantic suspense that tackles politics, corruption, and more. And Bianca’s globe-trotting romantic suspense Takedown trilogy is like a cocktail of Ocean’s 11 and Mr. and Mrs. Smith, but with more sex. It goes without saying that this was an amazing evening.
While I was there, author Ana Valenzuela and I grabbed a coffee at Starbuck’s so we could chat. That chat eventually turned into this hugely flattering article in the Manila Bulletin, the leading broadsheet newspaper in the Philippines.
But I’m getting ahead of myself. Before that came out, I was able to do some awesome traveling that provided me inspiration for both my current Sugar Sun series and my anticipated second generation series, which will be set during World War II. I headed to Corregidor with three great friends: my amazing hostess and great friend, Regine; my former student and now accomplished Osprey pilot, Ginger; and Ginger’s husband, Tread, also an Osprey pilot.
Even though I have been to the island several times, even staying the night before, I find each return trip gives me new ideas. I pick up different tidbits on the tour every time. This time, in the Malinta Tunnel, I heard about the crazy parties the Americans threw at the very end, when they expected to be defeated any day. They needed to consume their supplies before the Japanese arrived, and they really needed to get out of that tunnel at night. What happened under the stars, on the beach, when no one was watching? Yep, that is romance material, if I’ve ever heard it. A celebration of life in the midst of death.
Only a few days later, I was on the other side of the channel, on the Bataan Peninsula. This, of course, is the site of the infamous Bataan Death March, where 76,000 Filipino and American soldiers were force marched over 100km without food or water. Tens of thousands died. This is not good romance novel material. But each marker we passed was a reminder of the sacrifice of others who came before.
Regine and I had gone to Bataan to see some even older history—particularly the heritage homes being preserved at Las Casas Filipinas de Acuzar. On the one hand, I loved this place. It is a resort made up of bahay na batos, bought and moved from all over the Philippines. And, with no other cities or villages in sight, you can almost imagine that this is what Manila looked like during the time of the Sugar Sun series—if you squint your eyes to avoid seeing the ATM machine hidden in the bottom floor of one of the houses. The guides are informative, and the location by the sea is breathtaking. And, if given the choice between having a house moved here and letting it deteriorate or be bulldozed, then the choice seems obvious. With all these homes in one place, a person can truly appreciate the proud architectural tradition of the islands.
However, there are down sides, too. First, these homes are not in their original context, to be appreciated by those who have some claim over their heritage. They are also glorified hotel rooms, rented out for exorbitant prices by the park’s creator. Unlike a national museum, this park is for profit, and it is not cheap to get to, nor stay at. Therefore, the history of the Philippines cannot be equally shared among all Filipinos. Also, the location by the sea is questionable because the salty air will accelerate deterioration. Finally, there are a dozen building projects going on at a time, and meanwhile those already built or moved are degrading. It feels a little like a resort built by someone with ADHD—once one thing is halfway done, it gets pushed aside for a shiny new toy.
But, it is beautiful. And I got to see a recreation of the Hotel de Oriente! I felt like I should be giving out copies of my novella at the door—but, alas, I did not have any with me. The building looked accurate on the outside, but there are no surviving photos of the inside, so they have improvised. And while I applaud them hiring all local craftsmen to do the ornate inlaid woodwork, this interior makes the a Baroque palace look minimalist. Still, I was thrilled to be there. It was a huge rush.
These amazing trips led up to the big event: the combined lecture of “History Ever After” at the Ayala Museum and the release of Tempting Hymn! It was such an amazing day. I talked for an hour about the history of the American colonial period, the Philippine-American War, and the Balangiga Incident. I wove in information about all my characters, even showing character boards with the casting of famous movie stars in the roles of each hero and heroine. (Piolo Pascual as Padre Andrés Gabiana was a special favorite.) I gave some special attention to the new novella, and then I signed and sold all the books I had brought with me. (One whole piece of checked baggage was just books!)
What a fantastic day, and I have to thank the whole #romanceclass crowd for coming out. You guys were amazing! Thanks to Mina Esguerra and Marjorie de Asis-Villaflores organizing the event. It would not have been possible without you. And thank you to my wonderful friend Regine, my advisor, therapist, and accountant—as well as the best hostess ever.
Regine and I spent my last evening in Manila at Intramuros at the 8th Annual Manila Transitio Festival commemorating the 100,000 dead in the Battle of Manila, 1945. Under the leadership of performer and popular historian extraordinaire, Carlos Celdran, we made wishes on the walls of Intramuros, listened to great music, ate great food, and even drank some buko (young coconut) vodka. Yum.
While much of this trip was devoted to writing, one of the truly best parts of being back was seeing my wonderful friends again, including people who have known my husband and me for over 20 years. The Philippines are beautiful, but it is the people who make this place so unforgettable. The fact that two of these people, Ben and Derek, now own three of the best bars in Manila doesn’t hurt, either!
Amazingly, I survived this whirlwind trip, but it only made me anxious for more. I cannot wait to go back. I need to write more books to justify the next trip, so off I go to write, write, write…!
Moss led Della over to the sillon in front of the window. The planter chair was a deep recliner made out of wood and rattan, and it had long, wide arms that stretched out in front of the seat. The sillon was built for napping, but Moss had not brought Della here to sleep.
She sat, and he gently lifted one of her legs to rest on the extended arm of the chair. She relaxed there, wanton, ready for him. He started with a gentle kiss to her knee and then moved his lips up her inner thigh. Della gave a deep moan, vibrating her entire chest.
“I love you,” he mouthed against her skin. He said it a second time. And a third.
The words earned him a soft giggle. “I understood you the first time. I love you, too.”
It was good that he would not need to repeat himself because he was running out of room on her leg.
I do use furniture creatively in my books. Ahem. Though my first thought when I sat in a sillon, or butaka, was not dirty at all. It was, “Boy, could I sleep right now.” After all, that was what the “silla perezoza” or “lazy chair” was designed for. (It was also called a “sillon de oreja” or “chair with ears.”) The backs were curved and the arms flat and long, all the better to slump deep and raise your feet. The cane backing circulated the air around the siesta-enjoying hacendero in his bahay na bato house. (Yes, Javier Altarejos owns a sillon or two, but he never stays seated long enough to use one. He’s a vigorous romance hero, or didn’t you know?)
The fact that hacenderos owned furniture designed around day-sleeping had to frustrate their employees, though. In fact, the more unequal the labor relations, the more popular the chair seemed to have been. Designed in Cuba, these chairs were found everywhere from Mexico to the southern United States to the Philippines to India—all with their own variations. Even Thomas Jefferson had one, and he gave one to James Madison. Interestingly, most American colonial officials in the Philippines had never seen one before because relative few were from the South. They found them fascinating (and comfortable), never knowing they needed only to go to Virginia to see one.
There may be a dirty underbelly to this piece of furniture, but in the era of La-Z-Boys, I think we can put our differences aside. I wish I had my own sillon right now, in fact…I could use a nap.
Featured image: Two views of the sillon, or butaka, chair by ioculus on Flickr.
It is 1901 in the Philippines. Guerrillas and revolutionaries blanket the countryside. The Americans are fighting to hold onto their first overseas colony, but disease, drought, and recession belie the fruits of the promised “civilization.” Yankee honor is on the line.
It is the beginning of the American Century, and it does not look promising…so let’s add some kissing and see how that goes. Welcome to the Sugar Sun romance series.
Reviews of Hotel Oriente, the Prequel Novella (Book One) of the Sugar Sun series:
“The strength of this book, aside from the lyricism with which it describes Manila in what was arguably its heyday, is the intimacy between Della and Moss.” (Five-star review from Kat at Book Thingo)
“…a stellar novella…[with] political intrigue, a sexy hard-working hero, and fascinating details about early 20th century Philippines. Her stories are beautifully-written and painstakingly-researched.” (Penny Watson, author of A Taste of Heaven, reviewed on Goodreads)
“If you’re looking for a meaty historical romance that will transport you somewhere you’ve never been, Jennifer Hallock’s books…are must-reads.” (Courtney Milan, author of The Duchess War.)
“Intensely absorbing…the charged political climate of the day is drawn with refreshing nuance.” (Laura Fahey, Historical Novel Society)
“Two pages in and I was utterly hooked. I sensed the voice of a confident writer and spied the shorelines of a diligently-researched world. I finished it this weekend, hungry for more.” (Bea Pantoja, blogger)
“It will take me a few days to recover from reading Jennifer Hallock’s beautifully written novel. It was vivid, funny, unflinching, poignant, and sexy…. I didn’t want to say goodbye to Georgie and Javier.” (Suzette de Borja, author of The Princess Finds Her Match, reviewed on Facebook)
“Oh my god this book!…And I’m usually not into the high-stakes romance because my heart doesn’t want to handle it, but this guy…” (Mina V. Esguerra, author of Tempting Victoria).
“It’s a perfect read for those who love their romance with a little more plot, and for history buffs who want to see a different perspective on the Philippines.” (Carla de Guzman, Spot.ph on “10 Books That Will Take You Around the Philippines”)
“…Under the Sugar Sun was also just a great romance, the kind that makes you feel squiffy in the stomach when you remember it at odd moments during the day…grand in scope in the same way old-school romances were, but with a very modern presentation of race, class and gender.” (Dani St. Clair, Romancing the Social Sciences)
Reviews of Tempting Hymn, a novella (Book Three) in the Sugar Sun series:
“Tempting Hymn manages to give adequate breathing room to the harsh historical realities of American colonial rule in the Philippines, while delivering a romance that is sweet, realistic and – above all – emotional….Hallock doesn’t pull any punches in Tempting Hymn, with either the romance or the historical detail. She does her setting and her characters justice, delivering a story that is raw and unflinching, but never too dark, because it has an engaging and touching romance at its core. [And] all the sex scenes here are insanely hot, just like in Under a Sugar Sun.” (Dani St. Clair, Romancing the Social Sciences)
“This novella does a hell of a lot of work between the lines. It’s actually breathtaking.” (Kat at BookThingo, posted on Twitter)
“The pairing here is American man/Filipino woman and that is a tricky, sensitive trope…but it’s handled with deft and care. And dignity.” (Mina V. Esguerra, author of Iris After the Incident, reviewed onFacebook)
“…the first love scene between Jonas and Rosa is a master class.” (Bianca Mori, author of the Takedown trilogy, reviewed on Goodreads)
Jennifer Hallock spends her days teaching history and her nights writing historical happily-ever-afters. She has lived and worked in the Philippines, but she currently writes at her little brick house on a New England homestead—kept company by her husband, a growing flock of chickens, and a geriatric border collie mutt.
Jennifer is available for speaking engagements, interviews, and appearances. She is also happy to speak to reading and writing groups via telephone or Skype.
What is micro-history, you ask? It is the investigation of small units in history—an individual, a small village, a family, or a school, for example. Why is this important? Because large trends, the kind of history you get in encyclopedias, smooth out history to give you only the most average experience. And who likes to read about average? No one!
You want to know about the heroes and heroines—by definition, the outliers, the dangerous, the obscure, the interesting! Part of what authors are selling is the chance to live someone else’s life for a little while. Maybe your character is Marianne, a half-Jamaican hotelier seduced by a spy during the Crimean War; or Lily, a diplomat’s daughter who rescues a wounded American Marine in the Boxer Rebellion in China.
Either way, flat descriptions from encyclopedias won’t cut it. You need to mine primary sources for the convincing details of everyday life. Where else would you learn how Marianne chased off a thief with her rusty horse pistol, primed only with coffee? Or how Lily saved her favorite white pony from becoming dinner for starving Americans in Beijing?
Marianne and Lily are not typical, but they are believable because they are based upon real people—real outliers. My inspiration for Marianne came from The Wonderful Adventures of Mary Seacole, while Lily is based on Laura Conger in Sarah Pike Conger’s Letters from China. Cool books! Where did I find them, you ask? At the end of this post, you will find a handout detailing many wonderful places to find free primary sources on the internet: books, articles, artifacts, photographs and videos (if available), illustrations, newspapers, and more, all from the time period itself.
But how do you use this information to create realistic characters and believable conflict? And how do you know what facts to use and what to make up? I came up with five models to help you figure it out:
The Ice Cube Tray Model
My fake characters Marianne and Lily are based upon the broad outlines of real people, but if I actually wrote books for them I would make up individual personalities, hopes, dreams, senses of humor, and more. For another example, let’s use a book I did write: Della Berget, heroine of Hotel Oriente, was inspired by a real-life outlier, Annabelle Kent, author of the memoir, Round the World in Silence. This middle-aged, deaf world traveler gave me the raw material to write a young, deaf aspiring journalist. To suit my own purposes, I gave Della a US congressman for a grandfather—loosely based on a real one, Senator Albert Beveridge—and plopped her in the middle of 1901 Manila, where carpetbaggers like her could make a name for themselves. Elements of Della come from Annabelle’s story, but the real person is an incomplete mold, like an ice cube tray. I filled in the rest.
The Straitjacket Model
What if you don’t focus on a specific person? In fact, quite the opposite. What if you highlight the social constraints of a chosen era—the rules that pen in the people? Guess what? You have the formula for a clever foil, or even villain, to represent “society” as a whole—without being average. I did this for Archie Blaxton, the man you loved to hate from Under the Sugar Sun. I took every horrible thing that came out of an American’s mouth (or memoir) about the Philippines, and I gave it to Archie. He became an amalgam of all the worst Americans I could find. (People suck, by the way.) I call this model the straitjacket.
The Open Flame Model
Real history can also provide conflict, too. I needed a scandal for Hotel Oriente, something to put a little pressure on my hero, Moss North. (Moss, by the way, was based on the real manager of the real Hotel Oriente, West Smith. Get it? West Smith became Moss North?) By searching some American newspapers, I found a real scandal that almost brought down the Oriente, gutted the Manila quartermaster’s office, and sent a handful of men to prison. Good conflict adds heat underneath your character’s feet, prompting them to make pivotal decisions—and declarations of love! I call this the open flame.
The Millstone Model
For my upcoming book, Sugar Moon, I gave my hero, Ben Potter, a troubled past. He was traumatized caused by a real event: the 1901 attack at Balangiga in which 48 American soldiers were killed by angry villagers. Ben’s memories will be shared in flashback form because they shaped Ben into the man he is, for better or worse. (Most of you would say worse, but give him a chance. Or second chance. Well, okay, third.) Ground down by the millstone of war, he is someone new because of this real event. It is a big part of his internal conflict.
The Fridge Magnet Model
Finally, I use real vignettes and anecdotes throughout my books. A lot of people remember the snake scene in Under the Sugar Sun, and I wish I could take full credit for it. But that really happened to a real American on one of his first nights in the Philippines in the early 1900s. He even had to buy a replacement snake, too! There’s some stuff you cannot make up, and you shouldn’t have to. But you do need those little details that make your book convincing.
Consider this: when you walk into a house, where do you find the small details important to that family’s daily life? On their fridge. (Or their medicine cabinet, but that’s an invasion of privacy. Shame on you.) Therefore, I call this the fridge magnet model. These little snippets tell your reader more about a character or setting than Mr. Exposition ever could. For example, the snake story told me how clever rural Filipinos were to use one pest to control another; and it told me that Georgie, for all her pluck, wasn’t going to get anything right her night in Bais. Her “fish out of water” anxieties will be essential to her later conflict with Javier.
Whenever I approach a primary source, I think: how can this event advance my story or my character development? And you need to be thinking this, too. No matter how much fun it is to research—no matter how many rabbit holes you want to fall down—everything should move your book forward. Stay focused on these five models. I hope they help!